Dept of Scattershot
Wednesday, 13 March 2019 10:43 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Short Takes
"Captain Marvel"
I had worried that I'd find this bland - blonde white hero after the strength of Black Panther - so I was happy to truly like the movie. I'm not familiar with Brie Larson's work, but I found her an excellent Captain Marvel, and certainly not "wooden," which I believe was one of the shots aimed at her. I thought the plot did a fine job of weaving the various Captain Marvel histories together, and I loved the twist at the end, which I should have seen coming, as likable as the putative villain and his buddies were. (Also, every time I saw Jude Law in this film, I had to fight the suspicion that he deserved nothing so much as a punch in the nose.) There were a few threads dangling here and there, which is almost to be expected at this, the end of this generation of MCU stories. They've all gotten so dense, multifaceted, and connected to each other that the general quality of the story telling and pacing is a bit of a minor cinematic miracle. Samuel Jackson was a joy to watch, as always, and I think that the MCU finally has a heavy hitter that can take on Thanos.
"Logopolis"
Tonight BB and I and a friend took in the special showing of the final Tom Baker Fourth Doctor adventure in the theater. It was digitally remastered, so that the bad quality I've seen when television gets transferred to the big screen wasn't a problem. Before and after the actual story (which flowed pretty well as a movie) we got to enjoy bits of banter between Janet Fielding and Sarah Sutton, and separate conversations between Baker, John Leeson, and others. At the end of the story, they showed a brief little featurette in which Fielding and Sutton visited the Lovell Telescope in Cheshire, England, which was the model for the Pharos Project radio telescope in Logopolis. I was struck by a few things. 1) I'd forgotten that Baker could be a very good actor. This reminded me of that. 2) After watching Ainley's performance I wonder why anyone complained about Simm or Gomez being too hammy. I seem to remember that he came off better in some of his later appearances; perhaps it was the direction? 3) I adored the horrible production values - you can see the paint spatters around the lower half of the TARDIS console, and the paint doesn't hide the fact that the console is knocked together out of some unseemly blend of two-by-fours and balsa wood. I love the classics .... 4) I had expected the theater to be quite full; we're in a big urban area, full of fans of the show ... but there might have been 30 people in the theater. BB noticed that they were older, like us, so perhaps even a famous story about the end of the most famous Old Who Doctor couldn't coax younger fans out. It disappointed me.
Vincent
He has now been fostered out, and Opie is gradually returning to whatever is his version of stability. I miss Vincent; I wish it had worked. But I comfort myself with the knowledge that the group that took him (Precious Pets Almost Home, for those in the Chicago area who are curious) will find a good home for him, and that I will no longer have to pull a large, furry, rugby ball out of the lower reaches of my refrigerator every time I open its door.
"Captain Marvel"
I had worried that I'd find this bland - blonde white hero after the strength of Black Panther - so I was happy to truly like the movie. I'm not familiar with Brie Larson's work, but I found her an excellent Captain Marvel, and certainly not "wooden," which I believe was one of the shots aimed at her. I thought the plot did a fine job of weaving the various Captain Marvel histories together, and I loved the twist at the end, which I should have seen coming, as likable as the putative villain and his buddies were. (Also, every time I saw Jude Law in this film, I had to fight the suspicion that he deserved nothing so much as a punch in the nose.) There were a few threads dangling here and there, which is almost to be expected at this, the end of this generation of MCU stories. They've all gotten so dense, multifaceted, and connected to each other that the general quality of the story telling and pacing is a bit of a minor cinematic miracle. Samuel Jackson was a joy to watch, as always, and I think that the MCU finally has a heavy hitter that can take on Thanos.
"Logopolis"
Tonight BB and I and a friend took in the special showing of the final Tom Baker Fourth Doctor adventure in the theater. It was digitally remastered, so that the bad quality I've seen when television gets transferred to the big screen wasn't a problem. Before and after the actual story (which flowed pretty well as a movie) we got to enjoy bits of banter between Janet Fielding and Sarah Sutton, and separate conversations between Baker, John Leeson, and others. At the end of the story, they showed a brief little featurette in which Fielding and Sutton visited the Lovell Telescope in Cheshire, England, which was the model for the Pharos Project radio telescope in Logopolis. I was struck by a few things. 1) I'd forgotten that Baker could be a very good actor. This reminded me of that. 2) After watching Ainley's performance I wonder why anyone complained about Simm or Gomez being too hammy. I seem to remember that he came off better in some of his later appearances; perhaps it was the direction? 3) I adored the horrible production values - you can see the paint spatters around the lower half of the TARDIS console, and the paint doesn't hide the fact that the console is knocked together out of some unseemly blend of two-by-fours and balsa wood. I love the classics .... 4) I had expected the theater to be quite full; we're in a big urban area, full of fans of the show ... but there might have been 30 people in the theater. BB noticed that they were older, like us, so perhaps even a famous story about the end of the most famous Old Who Doctor couldn't coax younger fans out. It disappointed me.
Vincent
He has now been fostered out, and Opie is gradually returning to whatever is his version of stability. I miss Vincent; I wish it had worked. But I comfort myself with the knowledge that the group that took him (Precious Pets Almost Home, for those in the Chicago area who are curious) will find a good home for him, and that I will no longer have to pull a large, furry, rugby ball out of the lower reaches of my refrigerator every time I open its door.
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Date: Thursday, 14 March 2019 07:50 am (UTC)no subject
Date: Thursday, 14 March 2019 03:28 pm (UTC)no subject
Date: Thursday, 14 March 2019 10:05 am (UTC)I suspect the high resolution big screen thing made that all very obvious! On the fuzzy old telly images they were aiming for, it was fine! Well, some of it. The paint edges anyway. :lol:
Ainley is very much the pantomime Master, although he varies, but he is usually good fun. (I don't know about JNT asking him to ham it up; people say an awful lot of crap about JNT, even though some of it is true.) He did, however, on the one commentary I heard him do note that he was offered tapes of Delgado but either turned them down (or as I think) they just didn't send them and he didn't like to press them, but at some point later he saw them and he was hugely regretful that he hadn't earlier, because of the sense that Delgado's Master actually liked the Doctor, and that shift shows through particularly in Survival which is probably his best one. That said, he can be very entertaining and he adored playing the role. He apparently used to ring up the production office in character and demand to know when he'd be coming back again!
LOgopolis is a weird one, though. I think mainly the good weird, though, but I've actually only seen it once (twice?) I think. Took me a while to get hold of it!
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Date: Thursday, 14 March 2019 11:54 pm (UTC)That was one of the first things to make me grin as I watched it. Oddly enough, the tiny figures that represented the cruelly compacted victims of the Master were actually done, it seemed to me, with care so that even their facial features (such as they could be in a tiny model) would at least faintly resemble the people they were supposed to represent. Someone on the production team was obviously a dab hand at miniature creation.
Logopolis is a weird one, though. I think mainly the good weird
It is that. The plot actually made a lot of surrealistic sense. and was written by someone who must truly love higher mathematics. And the fellow who played the Monitor was very good at carrying the plot. I'm a trifle ashamed to admit that I thought Janet Fielding's performance was very less than stellar. Mind you, she got a lot better.
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Date: Friday, 15 March 2019 08:15 am (UTC)The BBC had in-house departments for everything in those days, so despite the crappy quality of the video, the sets, costumes and SFX/model work were pretty amazing in general, because they had all the stuff and expertise in TV Centre already.
I'm a trifle ashamed to admit that I thought Janet Fielding's performance was very less than stellar. Mind you, she got a lot better.
I seem to remember that she says on the commentary that she's surprised she's not worse here - she was pretty young and had done nothing but theatre. (I think there was one brief guest role pre-DW, but that was it.) She learned quickly, though - she always says that Peter Davison was a huge help, just watching how he did things.
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Date: Monday, 18 March 2019 05:26 pm (UTC)no subject
Date: Sunday, 17 March 2019 08:28 pm (UTC)Anyway, I don't have the energy to re-create it, so I'll just state my love for Ainley!Master. I've recently been watching Seven, Six and Five, and every. single. the Master turned up it made my day. All the disguises and the OTT evilness and ♥
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Date: Monday, 18 March 2019 07:53 pm (UTC)Ainley was a good actor; even in Logopolis you could see that. And I will say that his performances were part of what led me to the belief that each iteration of the Master was a peeling back of the sophistication and actual pro-Doctor affection of Delgado, to layers of succeeding insanity and brutality that the "younger" Master had better control of. Ainley exhibited the first sign of the breakdown, (which was probably caused when he entered the decayed state between Delgado and Ainley), and each subsequent Master was more unhinged, their inability to control urges and tendencies toward brutality and viciousness more and more apparent. In some ways, Missy seems to have been clinging desperately to the one solid thing with a set of ethics - and a mind she could respect as much as she loved her own - that she'd had in her long life; the Doctor. Can I tell you how much I want to write (or read) a story of how Missy survived?
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Date: Tuesday, 19 March 2019 06:45 pm (UTC)Very good point! (Also Survival is a great episode. <3)
Ainley exhibited the first sign of the breakdown, (which was probably caused when he entered the decayed state between Delgado and Ainley)
Promethia and I have been talking about this too! And how being in constant pain and barely existing is bound to make anyone less than sane, but with the Master way more so.
In some ways, Missy seems to have been clinging desperately to the one solid thing with a set of ethics - and a mind she could respect as much as she loved her own - that she'd had in her long life; the Doctor.
Oooh, I like that.
Can I tell you how much I want to write (or read) a story of how Missy survived?
I refuse to believe that hasn't been written.
Anyway, the long comment that DW ate was about Logopolis being good, but how new fans (unfamiliar with the old show) would be unlikely to show up for it (no matter its reputation). Plus, it strikes me a little like watching Sound of Drums without Utopia & Last of the Time Lords. (Of course watching Keeper of Traken AND Logopolis AND Castrovalva all in one would take a long, long time. But the point stands.)
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Date: Monday, 25 March 2019 02:04 pm (UTC)Given that it's been several years since we bailed from the festering cauldron of puerile mediocrity that the show became post-Russell T entire series and are unlikely to ever return to it, this is probably the last time I'll comment on your blog. But I just wanted to say that digging up the Fourth Doctor serials - and the Third Doctor - and for that matter the Second Doctor - is well worth the effort and might surprise you and give you quite a lot of pop-culture pleasure. kthxbye :-)
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Date: Monday, 25 March 2019 06:01 pm (UTC)I hope your health is stable, at the very least, and that you're still able to enjoy the occasional run, and that you've had time to enjoy the outdoors. I don't know how hot or dry it's been in your neck of the woods, although I'm told some sections of your particular continent have been badly hit with drought and fire.
The Third Doctor is a particular favorite of mine, both for himself and for his Unit team (I'm especially fond of Liz Shaw. I'm sorry they got rid of her, supposedly because she came off as too equal to the Doctor. I like Jo as well, but I could have done with another season of Liz.) I've also caught a couple of Second Doctor adventures, including the War Games, and I've enjoyed him, even though I remember being quite verklempt as a 10 year old when he first arrived on my screen.
Since I do, from time to time, post about non-Who, it would be fun to see your responses occasionally; I always enjoy them, even when I don't necessarily agree.
I don't think I've interacted with you lately. I took a buyout from my horrendous company in December, and have been enjoying my first actual down-time in 43 years. I'll have to get back to some freelancing, since medical bills and my 401K savings won't mesh completely, but it has been a relief to be away from a particularly despised boss. and yet more union unhappiness.
Over the next little while, I'll be answering people's questions, since, during an intellectual fallow spell, I asked them to submit said questions as a way to prime my writing pump. Those might be amusing for you to look over as they come down the pike. There's at least one in my rear view mirror